Gabriel Gray (
watchmakers_son) wrote2007-09-16 08:55 am
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Isaac's loft, November 7th
[From here.]
Take your hand. Tighten it into a fist, as hard as you can. Hold it.
Keep holding it.
Hold it even as the muscles seize up, fingertips starting to tingle from lack of blood, cramps spreading down your entire arm and into your shoulder; hold it without the slightest change in pressure, knowing that if you let go -- even for a second -- you might bleed to death.
Add in the searing pain from the wound itself every time he moves or so much as breathes, and it may be understandable why Sylar's progress through the bar is labored at best.
He's several feet from the front door when a loud clatter catches his attention; he turns his head, watching Kaylee slam open the lake door with a gurney in tow.
He's still watching when the white-haired doctor sprints into the infirmary.
Take your hand. Tighten it into a fist, as hard as you can. Hold it.
Keep holding it.
Hold it even as the muscles seize up, fingertips starting to tingle from lack of blood, cramps spreading down your entire arm and into your shoulder; hold it without the slightest change in pressure, knowing that if you let go -- even for a second -- you might bleed to death.
Add in the searing pain from the wound itself every time he moves or so much as breathes, and it may be understandable why Sylar's progress through the bar is labored at best.
He's several feet from the front door when a loud clatter catches his attention; he turns his head, watching Kaylee slam open the lake door with a gurney in tow.
He's still watching when the white-haired doctor sprints into the infirmary.
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A pause, while they turn a corner.
"Not that I noticed."
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His is the kind of tone that's brisk enough to masquerade as an idle inquiry.
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"There were -- he had these paintings."
A beat.
"They weren't his. Well, not exactly."
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Claude knows of a painter.
"Not exactly," he repeats, glancing down at Kim.
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Kim's voice is low.
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Some sponges are born.
Some sponges are -- apparently -- made.
"With fava beans and a nice chianti," Claude mutters to himself. "Listen -- how often does he show up in Milliways? Any idea?"
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But you can bet she'll be paying more attention in the future.
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That comes out a little more loudly than she'd meant it to, and Kim winces, looking around.
"He got hurt in a fight at Milliways, and -- I don't know, he must have seen me coming out of the infirmary after I was done treating the other one-- he just grabbed me, and pulled me through the door so that I'd have to help him."
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"Or a resource."
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Kim stops.
"Wait, you knew him? The painter?"
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As they start walking again: "This is a handy trick, is all I'm saying. And it's one I'd prefer your friend not acquire. What would he get from you?"
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"I'm a Seer. The 'dreamer of the dream,' if that means anything to you."
It had to her, when Ysanne had said it.
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Had known that she was 'different,' she realizes. Had known about Ysanne.
"--too much anyway."
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"I'm not a killer!"
Not herself, anyway-- even as she says it, she can't help but remember Tabor dan Ivor and the red unicorn that was Dana's gift, and the death that they had wreaked at her direction. Kim's lips tighten.
"And I don't want to be." Ever again. "I'm a doctor. That's what I do."
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He stops in front of a door, under an awning. "This is it -- "
Through the front door, and they're in a foyer, with a closed door off to the left, and an open door in front of them. Through that door are shelves of what look like plastic glasses, capes, and flashlights.
Claude nods to the closed door. "You'll be going through there. Do yourself a favor and carry around a can of mace or something."
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"Um. Thanks. For everything." A sudden, quick smile. "Will I see you again?"
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He opens the door.
And he lets go of her hand.
Nobody's there.